Happy to start the year off in this show, Under the Sun and Moon over at Humble Arts Foundation. My image Blue Sun is included.
Studio Verde Residency
In October I had the immense pleasure of being in residence at Studio Verde in Umbria. I was able to focus on field work and writing time for my next book project, A Tree Grows in Queens, to be published in Fall 2022. image credit Maisie McNeice
Clearing The Air, Southampton Arts Center
Clearing The Air, curated by Jay Davis, is up at the Southampton Arts Center from September to December 2021. I have two cyanotypes in this big, beautiful group show out in Southampton, NY.
Theory of Blue, Syllabus Project
I wrote a syllabus on the color blue for Syllabus Project, a weekly publication that explores how a syllabus can become a creative tool.
From Here On Out conversation
I had the pleasure to speak with Jenica Heintzelman about her project Down a Stream for From Here On Out. We speak about research, experimentation, and edging around self portraiture. You can read it here.
Fade / Fail / Flow
Happy to have a piece included in Fade / Fail / Flow organized by one of the loveliest people in NY, John O’Toole from Oranbeg Press.
Pink Dogwood
The first chapter, Pink Dogwood, of my forthcoming publication A Tree Grows in Queens, is now available for pre-order from Conveyor Editions via this link: https://www.conveyor.studio/shop/p/ce-21
PM Art Book Fair Studio Visit
Conveyor Editions. Studio Visit: Magali Duzant.
Join us for a preview of Magali's new zine, A Tree Grows in Queens, and learn about her process of working with image, text, and archives in the book format. Link coming soon via the Printed Matter Virtual Art Book Fair. February 27, 2021, 2pm EST. Zoom link : https://zoom.us/j/98165630053
Image, Text, Ephemera class at Penumbra Foundation
This spring, I’ll be teaching the course Descriptive Systems : Image, Text, & Ephemera at Penumbra Foundation. The class runs on Saturdays from April 17 - May 22 from 2 - 5PM EST and is open to anyone, anywhere as we’ll be online! More info here : https://www.penumbrafoundation.org/imagetext
The Hours After
Friday, January 22, 2021 is the opening of The Hours After, a group show running every night from 6:00 to 11:59 PM through the 28th. I’ll be showing a new iteration of Live Stream Sunset over the course of the show. The exhibition is a part of Singapore Art Week.
Artists for Puerto Rico Fundraiser
I donated an 8 x 10 print, Palermo, to the Artists for Puerto Rico fundraiser. A share of the proceeds go towards continuing the mission of the organisation to assist in recovery efforts post Hurricane Maria.
Take What You Can't Get at ABC No Rio
I had the pleasure of creating the exhibition publication for Take What You Can’t Get at ABC No Rio.
Inspired by the role of artists as imaginators, and agitators, from the 1930s to the present day, Take What You Can't Get embraces our current moment of multilayered crisis (economic, racial justice, leadership, health) as an opportunity for artists to actively imagine a more desirable future. The exhibition's title addresses pre-existing artworld expectations of austerity and extreme inequality - that artists and art workers must take what they can get. The four projects, by three collectives and one artist, respond to the following questions: What do artists and art workers need now? What does our NYC community need now (and how can artists help)? What should we demand of our institutions - art or government? What does a more beautiful future look like? Projects take place both on-line and in New York City throughout the duration of the exhibition. Curated by Christina Freeman.
This is a link to the online interactive version of the publication.
Common Knowledge - Design in Times of Information Crisis at Kunstgewerbemuseum
Whole Queens Catalog will be on view this summer as part of Common Knowledge - Design In Times of Information Crisis, at Kunstgewerbemuseum in Dresden, Germany. The exhibition, a traveling version of the Bio 26 Design Biennial in Ljubljana, Slovenia opens July 4 and runs until November 1, 2020.
Instagram Live June 18th : NYPL Picture Collection
I’ll be taking over the NYPL Picture Collection’s instagram account from June 15 - 21 and on the 18th I’ll be doing a live stream to chat about how the Picture Collection played a huge role in the content and design of The Moon And Stars Can Be Yours.
Lenscratch Review of The Moon And Stars Can Be Yours
Lisa McCarty wrote a review of The Moon And Stars Can Be Yours for Lenscratch, I love the way that she closed, “In her pursuit of psychic services Duzant, or the narrator, is also searching for her voice as an artist, for self-possession, for future certainty….By the end of The Moon and Stars Can be Yours Duzant has extended this tradition, not by providing direct advice but by disclosing her own path toward living the questions perpetually, toward every day becoming.”
http://lenscratch.com/2020/06/magali-duzant-the-moon-and-the-stars-can-be-yours/
Dorothea Lange : Words And Pictures review
NYPL Researcher Spotlight
I had the pleasure to speak to the New York Public Library about my current research through their collections and more around the history of NYC’s trees, from the Harlem Wishing Tree to the Queens Giant to the Mothers Day pink dogwood that my Grandfather dug out of his yard and replanted somewhere in Forest Park…. Interview can be read here : https://www.nypl.org/blog/2020/06/05/nypl-researcher-spotlight-magali-duzant
TSA PDF : Zone V curated by Yael Eban
Tiger Strikes Asteroid’s initiative of exhibitions under the title TSA : PDF was a critics pick in the New York Times. Zone V, curated by Yael Eban includes work by Roni Aviv, Magali Duzant, Jiwoong Jang, Rehan Miskci, Adam Liam Rose, Cory Emma Siegler, Rachel Stern, and Gabriela Vainsencher. Zone V refers to the photographic middle gray, perceptually halfway between white and black. Morally ambiguous and neutral, gray is the color of complexity, filling the space between absolutes. Reduction of color evokes notions of necessity, distilling an image to its abstracted core. Triple-clicking on the home button of an iPhone turns bright colors to grayscale—a hack to combat phone addiction, altering our relationship to the screen in an instant. What are the possibilities and boundaries of the monochromatic? At what point does a color image hold so little color that it reads as gray? The monochrome and color works in this show prove that limits and restraints can yield artwork that is at once intellectually rigorous and expressive.
TSA_PDF is a series of printable exhibitions curated by Tiger Strikes Asteroid. People are invited to download and print these works on their home printers and share their “install shots,” which are shared on social media and TSA’s website.
Where Blue Birds Fly interview with Homayra Adiba for LensCulture
I had the immense pleasure to speak with Homayra Adiba about her beautiful project, Where Blue Birds Fly, for LensCulture earlier this year. The interview, included a selection of Adiba’s evocative images can be read on LensCulture here : https://www.lensculture.com/articles/homayra-adiba-where-blue-birds-fly
Parallel Universes : A Virtual Reading
I’ll be reading from The Moon And Stars Can Be Yours on Friday May 1st alongside Liz Sales and Lara Atallah as part of Parallel Universes : A Virtual Reading, hosted by I Write Artist Statements.